Archive
Post-Coital
Light sweet crude
d
e
k
a
e
p
f
e
l
l
“to settle at $44.51 a barrel on the New York Mercantile Exchange.”
It was Paris. But in Texas.
From a 2005 (and on-going) collaboration of poem-sculptures and text-poems
The collaboration between Nick Carbó and Eileen R. Tabios unfolded through snailmail, with each sending a sculpture that generates a poem:
1) Nick sends a sculpture comprised of a toilet regulator painted with the following words:
Can you regulate
The flow of desire
2) Eileen responds by sending a wooden box recycled from once containing wine bottles of Screaming Eagle. The phrase “Screaming Eagle” is emblazoned, along with the image of an eagle in flight, against the box. The box contains long ribbons designed to spill forth when the box is opened. Attached to the side of a box is a toilet’s flusher mechanism. The accompanying poem:
Trap the intangible
to release
Desire most beautiful
when unleashed
3) Nick replies by sending a blue box containing Alka Selzer tablets upon which are incribed letters. When the box is opened, the tablets spell out the following poem:
Take one Saussarian pill 3X daily to induce / Desire
This is how the cerulean curve
of her spine presents pink
ideas at four in the afternoon
where words become
arbitrary trees, cones
intangible blues
This is how the
release feels at the tip
of the tongue when pressed
against his wet
red frenulum slippery
with meaning
4) Eileen responds by sending four stacking boxes, correlated to four stanzas of a poem. Each stanza written on the inside cover of a box. Boxes are colored blue and white. Stacked atop each other with a white ribbon tying them together. All must be unwrapped in order to go through sculpture. Eileen very much wanted to include (the bodies of) the audience (reader/viewer) into the sculpture by having their involvement through the process of unwrapping the boxes.
The first box contains a pearl necklace cellophane-wrapped in its middle so that it’s not possible to wear it. The second box contains an American Red Cross pin referencing breast cancer. The third box contains used ribbons from unwrapped gifts. The fourth box contains a grey sports bra overlaid with a pretty lacey bra.
Inside the fourth box, the stanza is encompassed within a circle, as formed by a “Filipino poet” symbol’s belly (from an earlier project by Eileen Tabios entitled “Poems Form/From The Six Directions“). The bras are “convex with concave.” The accompanying poem:
Untitled
Surely we
Never wish
To stray
From bodies
Those curves
Offering possibilities
For
“the convex with the concave”
by Nick Carbó and Eileen R. Tabios