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book of spells

October 7, 2009 3 comments
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The Smiling Beaks of Bluebirds

October 6, 2009 Comments off

by Christi Krug

The packing list said sunscreen, sleeping bag, trail mix. I would tame the wild woods with flashlight and wool socks. But the word swimming suit choked my mind with unknown waters.

I’d been living with Grandma since fall, and nobody seemed to know how long it would last. We didn’t discuss Mother’s illness, only that she was “sick,” and “in the hospital.” But it was the most frightening hospital I’d ever seen, where a teenage girl with a crewcut sat hollow-eyed in a TV room, and an old lady shuffled back and forth holding a doll, and a bearded man with a greasy T-shirt talked to a plant.

Not to mention Mother, dressed in a bathrobe, moving slow as if she were drowning. Speaking in a flat, faraway voice, with eyes that looked in your direction but didn’t see. There was a breadcrumb in the corner of her lips.

Now it was summer. No talk about fall, past or future. “You’re going to camp,” said Grandma. The only words I had were mysterious, in Helvetica typeface, next to tidy checkboxes.

Pillow, I read. Out loud I said, “Camera.”

“You can borrow my Instamatic,” said Grandma. She frowned and tapped a pen against her lips.

I looked at that one word again. It reminded me that I could not swim. It told me I might drown.

“It’s only for a month,” Grandma added. “A whole month! You’ll have So. Much. Fun.”

The last word on the list was stationery. Grandma wrote letters every week on her Smith-Corona typewriter. Letters were what you did when you couldn’t do anything else. When home couldn’t hold the right people, at the right time.

I stood in the parking lot, sun gleaming off the gravel. Grandma gave me a peck on the cheek and handed me a package just as I was about to board the bus. It was a see-through box tied with blue ribbon: stationery topped with bluebirds. Their beaks smiled grandly.

Two hours later, the Hidden Valley Camp bus turned out into wide, green fields bordered by forest.

Two days later, I knew the names of everyone in my tent, and what they got in the mail. Stacy got a care package of chocolate chip cookies. Jenny got a troll doll. Terri got a very small pillow with white daisies. I got a letter from Mother.

The return address was Western State Psychiatric Hospital. On the stamped letterhead, Mother’s penciled handwriting sagged like a sprung spiderweb. She wrote, I forget if it’s two or three sentences to a paragraph.

When I was five, I used to lean against the window and cry whenever Mother left. Now I crumpled her letter in my hands.

***

“Canoe time,” Counselor said, some days after. Stacy and Jenny cheered. Terri said, “All riiight!” I shivered at the water’s edge.

I don’t know how I made it into the boat, fat in my orange life jacket. Then I dipped my oar in the blue-green lake of shadows and it was easy. Like sticking fingers into frosting and pulling away a smooth, silky hunk. It was like mirror writing, the way you paddled opposite how you wanted to move.

After, I sat on the dock with my tentmates, dabbling toes in the ripples. The warm wood scratched my thighs.

“I saw ‘The Omen’ before camp,” said Stacy. “It’s rated ‘R’ but my Dad takes me to any movie I want. It scared the hell out of me.”

“Yeah?” said Jenny.

“In ‘The Omen,’ there’s this kid, Damien. His parents don’t know where he comes from. He’s a child of Satan.”

And with three words, the terror was back. Child of Satan told me everything I needed to know. The water wouldn’t kill me. Neither would it kill me to have a mother in the mental hospital. But this was the ultimate terror, and the reason I felt different from the other kids: I was a child of Satan.

The truth of it was a shadow, thick and empty, filling my stomach. I fed on it at night in my sleeping bag, the trees whispering about the canvas tent walls. It exhausted me at craft time. Child of Satan. It yanked me from the inside and outside, stretching me until I was thin and see-through like the taffy we pulled at Group Activity.

Three weeks, those words threaded through my mind.

Then, one day in the woods, I forgot to think them.

Our hike leader led us high along the forest trail. At last she said, “Okay, guys. Lean your heads back. Look up to the highest branches. Squinch your eyes. Can you see how different everything looks?”

There was a shine that wiggled in the treetops, like soap bubble liquid stretched over a plastic hoop. The light was changing, things were shimmering. Walking back to camp, I saw a trail mix of leaves and mushrooms, frosted ponds, sugar-daddy creeks. Old trees offered friendly, knobby hands. The creek was not afraid to sing.

That night, Jenny, Stacy, Terri and I held flashlights to our chins, laughing as our faces glowed molten red, changing from human to alien. I took out my packet of bluebird stationery.

Dear Mom,

I was very happy to hear from you! I’m going to tell you a little about this camp. There are many different things to do. There is Archery, Rifelery, Hikes, Riding horses, special events, sailing, canoeing, swimming, sports, overnights. Its hard to think of everything… Camp fires. Every person has to do something around the tent. One day you might be the sweeper. Another day you might be the Person that puts up the Tent flaps. Everything is fun. Hope your glad to hear from me! Love ya!!

Love, Christy

P.S. I’m beginning to miss everyone a little.

When camp was over, Grandma met the camp bus, tapping my shoulder with her driving glove, ready to hit the road. A month later, she would put me in a foster home.

For years, Mother would save my letter, shuttling the bluebird pages from drawer to suitcase, from dresser to shoebox, in the halfway houses and care facilities where she spent her life. Home would never again mean having her with me.

I stopped crumpling Mother’s letters when they came.  I answered them, putting down my thoughts — even when they were bright and flighty and fake as bluebirds that smiled. In this way, I learned to make my own magic words.

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Christi Krug’s work has appeared in Umbrella, VoiceCatcher, Defenestration, Halfway Down the Stairs, Colored Chalk, The Absent Willow Review and previously in qarrtsiluni. She coaches beginning writers and blogs about the writing life at christikrug.blogspot.com.

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Incantations Over Alloys

October 5, 2009 3 comments

by Kaz Sussman

for the carburetor gladiator

O spirit of alloys, valves and kin
I sacrifice to you my knuckle skin.
O floating butterfly choke and rotor
get the juice to the damn motor.
O spirit of alloys, valves and kin
I sacrifice to you my knuckle skin.
Spark, fire and suck up fuel,
grant me luck and work now tool.
O spirit of alloys, valves and kin
I sacrifice to you my knuckle skin.
Choke it out easy, bleed out the glitch,
work now tool, you son of a bitch!

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Kaz Sussman is a carpenter by trade, an anarchist by nature, and an expatriate New Yorker by circumstance. He got into poetry (just like everyone else) because he knows that’s where the big bucks are. He now lives in a home he built in Oregon from recycled rejection letters. His work as a writer and artist has seen some regional success, including From Here We Speak: an Anthology of Oregon Poetry. His work is upcoming in Dance Macabre.

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Incantation For My Old Friend, Landers

October 4, 2009 1 comment

by Alex Cigale

Thunder, thunder, lightning, storm,
let the next three days be gone.

Northern cloud front, western sun,
while the southerlies have come.

Wind is rising at my back,
Washington Bridge traffic, trucks.

Willing weather: heal me, heel,
or all else miserable.

It has rained four forty days,
left me stewing in my daze.

Mark my word, the water’s line
will keep rising in your mind.

Beer, port, vodka, whiskey, wine,
just ’bout now would be de-vine.


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Alex Cigale’s poems have recently appeared in The Cafe, Colorado, Global City, Green Mountains and North American reviews, Drunken Boat, Hanging Loose, McSweeney’s, and Zoland Poetry. Other work can be found online at The Adirondack Review, Babel Fruit, Big Bridge, The Externalist [PDF], nthposition, The Potomac Journal, Quarter After Eight, The Salt River Review, and Synaesthetic. His translations from the Russian can be found in Crossing Centuries: the New Generation in Russian Poetry and in The Manhattan and St. Ann’s reviews. He was born in Chernovtsy, Ukraine and lives in New York City.

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Prayers

October 3, 2009 3 comments

by David Need

From “St John’s Rose Slumber,” XVII

This porch among fallen winters
space of my hand
on your shoulder

****

a secret room behind the books
your daughter’s footsteps
on stairs to the basement

****

body becomes field
and so can answer sun, “asters”
and so wait

****

fire
no longer secret
is autumn
my father’s diagram

****

a priest lazy in a field
careless
mistakes ideas
for flowers

****

oh, rose
split
makes possible
the hidden skies

****

face, first of all, prow
filled with water
your cupped hands

****

what moves in them
but fallen winters
your shoulder ahead

****

a translation to kiss
as I am shadows
her daughter

****

and so founded

****

so you also
speak stones across the river
spark

****

a path back
inside myself
lifts dream

****

skirt lifted
her feet descend
a last ridge

****

ocean rose
blueblack in her hair
and iris

****

eyes shut lips shut
ears shut       the shuttered doors
of icons

****

a candle guttered
a city became shepherd
these for you

****

majesty

****

in star folds

****

in your pocket.

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David Need lives in Durham, North Carolina, and teaches Central and South Asian Religion and Poetry at Duke University. His poetry and essays have appeared or will appear in Talisman, Hambone, Golden Handcuffs Review, Fascicle, Minor American, Effing Journal, and on MiPoesias. He tries to maintain three loosely connected blogs: O Pure Contradiction, The Anderson Sisters, and No One’s Rose, and hosts the Arcade Taberna reading series.

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The Burrowing Song

October 2, 2009 3 comments

by Karen Greenbaum-Maya

A song burrowed into a woman’s head. It got in when someone said, “Oh, that’s just dandy.” C&H, C&H, Mommy uses it to bake her cakes. She makes the greatest cookies cakes and candy — they’re dan-dan-dandy! When the woman was in her bed, she could hear it upstairs.

C&H, C&H, Mommy uses it to bake her cakes. The woman called a pest control service, the one with the man dressed like an undertaker and carrying a big heavy mallet. She asked them to kill the song. It needs to be fed, they said, don’t you have some cookies, cakes or candy? “Oh, that’s just dandy,” the woman told them, and then she wept. Her blood pressure went up, so her GP prescribed meds. The song still played, only now in a chromatic scale, like Bach gone inbred.

Finally, the woman packed up her red Keds and left the house. The song had become part of the plumbing and stayed behind. Cool, she thought, at last I’ve got the damned thing balked. Who is the coolest guy who is what am? Fast-talking slow-walking good-looking Mohair Sam.

Now she has a safe tune and always carries it with her. If she sings it silently, the safe tune can drive away a burrowing song.

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Karen Greenbaum-Maya is a clinical psychologist in private practice in Claremont, California. In another life, she majored in German Lit, where she read poetry for college credit. She was nominated for a 2010 Pushcart. Her safe song has been on the job for more than fifteen years.

Brink

October 1, 2009 10 comments

by Anne Morrison Smyth

Brink, by Anne Morrison Smyth
Click on image to view a larger version.

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Prize-winning photographer Anne Morrison Smyth (website) grew up in Ripton, Vermont and in Cambridge, Massachusetts. She moved to Belchertown in 1999 after living in Amherst for 30 years, where she raised her four children. Anne’s love for wildernesses of all kinds informs her work with an intimate, unflinching celebration of the diverse small realities that create a larger truth.

Lust in Translation

September 30, 2009 5 comments

by Bryan Borland

Between gulps of syllables
you said you wanted to speak my language,
the coded initiation to our lesson
that would leave nouns and adjectives
covering my body in your slanted handwriting,
the roughness of your voice,
the words “cocksucker” and “faggot”
lost in translation, my burning ears
heard “baby” and “please.”
With your penis in my mouth
it always seemed I held the power
of vocabulary.
You slapped my face,
I felt a caress.
You pulled my hair like a proud older brother.
“Swallow it bitch” was a love note I kept
for years
folded in my back pocket.

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Bryan Borland (PoeticGrin.com) is a poet from Little Rock, Arkansas. His cat likes to claw his expensive leather journal. He thinks the claw marks give it character.

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Naming the Flowers

September 29, 2009 5 comments

by Ron Czerwien

Mother’s Affliction
Inflamed Iris
Lady Sliver
Cemetery Skin
Prickly Bitch
Wad-of-Red-Cellophane
Queen Anne’s Head
Dab-of-pus
Fuckin-thorn
Deadly Lampshade
Bachelor’s Buttocks
Vining-Back-Hair
Whimpering Pansy
Face-down-in-the-muck
Lone Gunman
Flowering Chest Wound
Hateful Neighbor
Jack-in-the-forehead
House-in-flames
Swan Parts
Angel’s “Trumpet”
Touch-me-here
Bloody Ha Ha
Silver Phlegm
Purple Discharge
Sweet Tumor
Wild Corpse
Annual Contagion
Baby’s Claw
Dainty Hemorrhage
Everlasting-facial-tick
Surgical Mishap
Stitched Eye Sack
Mucus Cups
Tainted Tongue
Creepy Jennie
Broom-rape
Black-eyed Mistress
Yew Prick
Joe Pie

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Ron Czerwien is the owner of Avol’s, a used and out-of-print bookstore in Madison, Wisconsin. His poems have appeared online in Moria, Shampoo, nth position, and other journals. The questions most frequently asked by his customers can be found here.

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Kol Nidre

September 28, 2009 6 comments

by Peg Duthie

At last year’s service, she wore espadrilles
fashioned from a jacket she used to wear
to other people’s weddings. So many vows
polluted with the ashes of bridges. If
she believed in God, she’d have to berate Him
even more than she already does each time
she scrapes the sludge of sloughed-off oaths
from her well-tanned soul, or when she trims
cookie-cutter blasphemies out of her mind’s
ruthless replaying of her sins. Sloppy work,
she tells Him. I can’t love anyone
proud of setting me up to fail.
Yet, the years
she pretended the holidays weren’t hers,
she felt like an incomplete book, like a spine
losing its glue, pages dropping away
before their time. So now, each fall,
she brings home apples and honey, and wears
fabric shoes to shul the following week, chanting
a counterpoint within her mind
at every iteration of the Kaddish.

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Peg Duthie (website) shares a house in Nashville, Tennessee, with a small piano, a large dog, and a drawerful of knives. She blogs at Chrysanthemum.

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