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Archive for the ‘Journaling the Apocalypse’ Category

Opening

October 31, 2008 7 comments

Tectonic Illusion

October 31, 2008 4 comments

Arches and blowholes ― it is not the land
That’s being eaten now but sea. Bedrock
Is rising up, slow hand-over-hand
Experiment, pointing to ten o’clock.
The bedrock’s hard to carve but harder still
For the Pacific plate to buckle under,
Submitting to the North American will.
It’s lucky our coast isn’t torn asunder.
Yet to look out at the dark islands
With their tunnels, monoliths and caves
You’d think the flowering meadow of the headlands
Was being assaulted as the sea enslaves.
Things are not always as they appear.
The land is dining on the sea ― how queer!

by C. E. Chaffin

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untitled

October 30, 2008 5 comments

dance. the street is dark.
all the houses are closed.
all the inhabitants
are sleeping in beds of stone
with stones upon their ears.

dance and slap the dead
night’s atoms between your hands.
they will spin and burn fiercely.
some people will leave outlines of their hands
pressed into white-hot window glass
as they run from dreams to find a way out
of molten houses
kissing, wrapping round their ankles.

morning will see a hundred from pompeii
tracing your footprints in the ash heaps once gardens.
digging. they will lay you deep in the fine powder.
softly. no cry. they will fill your mouth and cover you
with the ash of their faces.

by Edith McKlveen

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Memory as Lighthouse, Memory as Bomb

October 29, 2008 5 comments

They told me I would not remember
but the rootholds of the mind are rigorous.

Amnesia is not a choice, not a warranty of anesthetic,
not the brain’s sophisticated segregation

of experience deemed injurious to function.
Rather it is the story of the vessel arriving in the bay

that we cannot see because we do not know ship
but do know disturbance on the surface

and if we peer and puzzle at the water’s strange course
the craft comes into view, a miraculous assembling.

Once comprehension rives them, we cannot see
the woman’s face and the image of the vase as one.

The memory center may be flooded with the medicated
smoke that expects to still the hive, to lure

the soldiers into dereliction of duty but even so
the trip-trap footsteps of the hunched figure

ascending the 210 stairs of the lighthouse
continue their rhythm. I cannot forget

the truth revealing itself, a disturbance of flow
and then stunning materialization,

a brilliance like bombs exploding,
a white light that sears the skull and throbs

in the chemical reuptake between cells,
replicating history, insisting on full recollection.

by Kelly Madigan Erlandson

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anaximander

October 28, 2008 4 comments

anaximander
makes the world’s
first map
the centre is where he is
at least at first
he draws the things
he can see
and then
when they are not
enough
the places
he has only heard of

anaximander
sits back in the sun
he makes the world
a cylinder
it makes sense
at the time
he surrounds it
with water
looking out over
the blinding blue
of the sea
it seems
only logical

anaximander
makes the world’s
first map
draws it in the sand
at his feet
the limitless sand
which he will whisper
to himself
may be called apeiron
looking over his shoulder
in case anyone
god or man
can hear
his wife is calling
even a philosopher
must eat
he moves his hand
across the world
and it is gone
the cartographer
becomes destroyer
then eats olives
in the sun

by Morgan Downie

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The Leadership Disconnect

October 27, 2008 4 comments

2012

October 27, 2008 2 comments

The skyscraper across from my Times
Square hotel appears under destruction:
a sculpture in steel and glass, all angles
like an abstract colt or a weeping
woman watching her man launch
onto a sea of sky from her
salt grass baskets. Yesterday
a woman reminded me the Maya
predicted world-end at 2012.
She handed me a string of paper
to write what I would be doing
that day. I imagined
touching your faces, planting
something in earth.
I could only think of people
in our Americas
so poor they sell one another
dirt for food and of the bottle-green
Caribbean beneath the temples of Tulum.

by Katherine Durham Oldmixon

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Razorwire

October 24, 2008 3 comments

Enough of the desktop. It’s not important.
There are other colonies. Fruit flies and crabgrass.
You have your own cupboards, your own letter opener.
I think this isn’t a promise. Should I apologize?
I’m like you, the folders, the book-ruined desk.
I should have worn a suit.
You are a not a chest of toys. I’ve learned these things.
You don’t have handles.
How can I get you into the car?
I didn’t know your breasts were made of moths,
but if I had I would have wanted to see them anyway.
You asked me to write your mother but your hair was like a knot
of yarn. The desk was full of bottle caps.
I wanted to tell your mother that she was like a blighted tree,
but I could only talk about autumn. Leaves
like an unkempt face, bags of them by the curb.
She didn’t understand—
I wanted to want you more thoroughly, like a broom swept floor,
a lamp, moths crashing around.
There’s no mice left on the ceiling. I cleaned
the desk, threw the onions away,
stepped over the rug as if it were razor wire.
Did I cover your eyes?
I meant to bear a perfect globe, a chisel
of fluorescent light. I didn’t mean to make you blind.

by Thomas P. Levy

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Apocalypse Regained

October 23, 2008 5 comments

The smell was all that remained. The smell of the Leylandii* which, for decades after, would make her feel sick to her stomach, an involuntary squirming of the guts as though they could no longer accept being part of her and wished to leave all at once through her mouth. It was inconvenient, of course, because there’s no getting away from Leylandii in the fenced-off, keep out, don’t look world. Hedges to hide behind.

It was the smell of the Leylandii mixed, inextricably, with stale cigarette smoke and a hint of engine oil. That’s what he did. Smoked and messed around with car wrecks. He listened to music too, but that had no smell that she could remember associated with it. Those Leylandii (she would cross the road rather than be anywhere near them) ran along the front of his family’s property and also along the fence that marked the edge of her own family’s garden, the boundary. She never played there after that summer. On account of the smell.

Her family had only moved to the village a few months before. She was thirteen, isolated and lonely. He was nineteen, had long hair and lived next door. She lay on her bedroom floor and read, cycled round the village on her bike, kept out of the way of her mother’s rage. He smoked and played music she’d heard on Top of the Pops, very loud, and sometimes even this was drowned by the tortured roar of an engine prodded into a semblance of function.

She had a diary. A green hard-cover book of lined paper. A pen, a proper ink pen with a nib and green ink. There was only one entry written in her over-precise italic.

“Why is it that despite having this book and this pen and this green ink I still can’t write? I suppose it’s because nothing ever happens to me.”

That, she now supposed, was how it had to be. Nothing had ever happened.

Only the sickness at the smell and the great care she took never, ever to look at him again.

It was another smell that came back first. Acrid, ammoniac. And the pressure of his hands where they gripped her. The pain. The sickening revulsion and disbelief. And the smell of her fear. Small fragments. The dress she had been wearing. Simple, sleeveless, a multicoloured pattern of small flowers. His trousers of lightweight cream-coloured material.

“Let’s go for a walk” he had said. Usually they hung out in his room. If “usually” is a word that can cover the two or three times she’d been there. He would lift her up and sit her on his lap. Sometimes he would kiss her. His tongue in her mouth was slimy and tasted of old ashtrays. She didn’t like it, but it made her feel grown-up. This was called French kissing, wasn’t it? Once his mother came in unexpectedly. He had pushed her, quickly, off his knee. His mother had asked if either of them wanted a cup of tea. She didn’t drink tea, or coffee. Her parents said she wasn’t old enough.

“Let’s go for a walk” he had said, and so they did. He took her along the lane, through the field down the hill to the woods.

“You’re such a PT” he said, his tone midway between teasing and accusation as they walked in the sunshine along the hedgerow.

“What’s a PT?” she asked, worried, knowing it wasn’t a good thing to be, looking up into his face. They were holding hands. She tried to pull hers away but he wouldn’t let her.

“Don’t you know what a PT is?” Mocking now, mocking accusation. “You should. It’s what you are. You’re nothing but a little PT.”

They said no more and he led her into the woods, away from the path, picking through brambles and over fallen logs, deeper and deeper into the gloom until they reached the lip of what had been a chalk quarry, a dip in the ground filled with undergrowth. He makes her sit down on the ground, holding her wrists in his hands.

“A PT” he says, as he tightens his grasp on her wrist and rubs her hand over the cream-coloured fabric of his trousers while he undoes the zip, “is a Prick Teaser”. It’s capitalised. “That’s what you are. You’re a dirty little Prick Teaser and you know you want it. Well here it is.”

Thirty years later she sits at a keyboard. She remembers, she thinks, most of it. But she can’t remember how they got home. Did they walk back together? She can remember his dog’s name but not his surname. She weeps, as she has done intermittently over the couple of months since the memories resurfaced, for the thirteen year old girl who never breathed a word to anyone of what had happened. The girl who never, as far as she can remember, wept for herself.

She sits at the keyboard. She sits, with her fingers laced together. And then she begins to type.

“The smell was all that remained.”

by Anonymous
__________

*A fast-growing evergreen tree much used for domestic hedging in the UK and symbol of suburbia. [BACK]

Reading by Beth Adams – Download the MP3

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Dark Clouds

October 22, 2008 4 comments