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On the Wires

April 24, 2013 7 comments

by Karyn Eisler

 


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Karyn Eisler is a Vancouver-based writer, cross-disciplinary artist, sociologist, and faculty member at Langara. The College of Higher Learning. A 2011 Best of the Net nominee, her stories, poems, images, and collaborations have appeared in a variety of anthologies and journals including BluePrintReview, Moving Poems, Locus Novus, qarrtsiluni, and On a Narrow Windowsill—the world’s first Twitter literature anthology (Folded Word Press). She teaches a course on ‘Animals and Society’.

Mice of the London Underground

April 24, 2013 9 comments

by Robert Peake

I. Covent Garden

Scruffy, ardent, fairy-tale dustballs,
your inheritance is meek—

precocious vermin, grey as soot,
you thrive on our absentmindedness—

a pastry crumb is as good as a seed,
soda stains as sweet as spring water.

There is black grease for mud,
trains instead of thunderstorms.

A crisp packet descends, relief aid
touching the helipad too late—

the rookie makes a dive, on instinct
to dislodge it. The train passes over

like night, like war, unstoppable.

II. King’s Cross

Every day, I look out for you—the movement
of shadow under a rail, along the ribbed
wall of cabling that spans the tunnel.

Some estimate you are half-a-million strong,
mice of the London Underground, which
sounds like a call to unionise, and see

how fast a childish fascination can turn
political? I only wanted your soft, coal-
black presence in my dull commuter’s life.

I only wanted to know how you coexist
on a mouse-wide bridge of cable, under
a humming metal track, when the train

announces its arrival by pushing the wind
into your conical face, and do you suppress
the urge to flee, lying stiff as a railroad tie?

Terror, for you, has become the only routine.
A wife stiffens at the late-night key in the lock.
A soldier salutes his orders into no-man’s land.

And you, soft sickly creatures, born
in darkness, live invisible and shit in places
where angels, on pin heads, could never stand.

The train squeaks to a halt in the charcoal tunnel.
The driver reassures us over the speaker. I listen
for you at the window, like a mother at her crib.

III. Farringdon
(after a prank notice about attacking mice)

Tuck your trousers in at Farringdon.
There, tiny lions will nibble your toes,
run up your suit leg and scar pantyhose.

They’re eyeing your soft ankle flesh,
gnawing through news of the Eurozone debt.
Pull up your socks to avoid the attack.

Don’t be a victim, secure your slacks.
The scavenging creatures outnumber us all,
just waiting for someone to fall.

Believe what is written on the train notice board,
and eye with suspicion the fluff on the floor,
the vermin at Farringdon are barbaric hordes.

Farringdon first, and then the whole world.
It starts at your ankles and ends at your purse.
Parasites in the shadows, waiting to lurch.

Tuck in, tuck in at Farringdon. Tuck in
on your way to the bank. Believe what you read.
Small creatures glare out from their greed.


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Robert Peake grew up on the US-Mexico border and studied poetry at UC Berkeley and the MFA in Writing Program at Pacific Univeristy, Oregon. He now lives just outside London, England. He writes about poetry and culture on his website at RobertPeake.com.

Categories: Animals in the City Tags:

Escaped Lab Rat

April 23, 2013 Comments off

by Eileen Malone

In a lab across the street
researchers are trying to grow
human parts on the bodies of rodents
they’ve posted utility poles with signs
that an escaped lab rat might be found
in the neighborhood, don’t be alarmed
they are clean, used to being handled

I stoop to pick up the morning paper
from my front hedge, come face to face
with a pointy nose that peeps through
an early morning web, shakes it gently
of its night raindrops

the white fugitive emerges on tiny claws
and pink leather tail dragging
scurries into some startled red geraniums

turns, doubles back, hesitates
sniffs to see what’s what, regards me
fleets right over my feet to steal yesterday’s
stale bread from our bird feeder

and I am alarmed, very alarmed
because I am not surprised or shocked at
the beginning of what looks like a human ear
that rides on his back.


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Eileen Malone’s poetry has been published in over 500 literary journals and anthologies. Her book I Should Have Given Them Water was recently published by Ragged Sky Press. She lives in the coastal fog at the edge of the San Francisco Bay Area where she is a mental health activist and retired from teaching at local community colleges.

When the Fox Comes to the City

April 23, 2013 4 comments

by Patricia Fargnoli

for Hans who said he comes at night and is sly

No, he is not sly when he comes, not wily.
He is inquisitive. He doesn’t look at me
but I know I am in his regard,
he wants to know what I have done with my life.
He is patient and will not back off.

When the fox comes to the city he brings news
of the wilderness I have lost,
he brings word of the ancestors,
he curls his tail around me like a stole.
We are wrapped together,
inside his fur I am all rust and fire.

No, it is not night; it is not glum,
when he comes, but, yes, there is snow
and the red richness of the fox crossing it,
running beside the car-crowded avenues.
When he goes away, he heads west,
under the underpasses and out beyond
to the banks of the long long river.


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Patricia Fargnoli (website) is a retired psychotherapist and former poet laureate of New Hampshire. She has been writing poems for over 30 years and has published three award-winning books and three chapbooks. Her recent publications include such journals as The Harvard Review, Ploughshares, Nimrod, Poetry International and Green Mountains Review.

The Bing

April 22, 2013 3 comments

by Gordon Gibson

The valley of the River Clyde crosses the central lowlands of Scotland, running north-west to its estuary. Beneath its fertile farmland lay coal and iron ore, and from the end of the 18th century, industry grew along the banks of the river. Within one hundred years, a continuous conurbation lay on either bank, for the last thirty miles of its path to the sea. The nation’s largest city, Glasgow, stood at the lowest bridging point, and only arbitrary boundaries on maps separated it from the other towns upstream.

By the 1950s, when I was a child, mining had declined in the area, the iron ore exhausted and the coal increasingly difficult to win. Most of the collieries had closed down, but their place had been taken by iron foundries, steel mills and heavy engineering factories that sent their manufactures to the shipyards at the river’s mouth.

My childhood friends and I lived in drab streets of mean tenements, built in the late 19th century to house industrial workers close to their places of employment. We played in the streets close to our homes, and on patches of waste ground where buildings had been deserted, and left to fall into ruin. In those years of reconstruction following the second world war, the steel mills of the town were in production for three shifts, 24 hours of every day. The smoke from the chimneys perpetually darkened the sky, and a metallic grit powdered every surface, outdoors or in. In our environment, nature seemed to have been overwhelmed. A few untidy weeds struggled to survive in pavement cracks, and there were sparrows and pigeons to be seen, but it was a grey world that provided our earliest playground.

In school we saw films and listened to educational radio broadcasts about the world of nature, but these were always set in green countryside, where bright and articulate children discovered the plants and animals of wood and field. They had no more to do with our lives, we felt, than the adventures of hunters and explorers in distant continents that we saw in our visits to the cinema. We did not expect that nature would have a local presence, and we did not look for it.

As we grew older, we wandered farther afield from our home territory, finding streets where buildings differed from our own tenements; quiet, cleaner streets of 1930s bungalows and large Edwardian mansions that were the homes of people wealthier than our families, the people who profited from the dirt and squalor of the town’s industry. But always there was something beyond, something more to seek. So it was that we discovered the bing.

“Bing” was the local dialect word given to a feature common throughout the Clyde Valley: the spoil-heap, residue of early mining, that remained on the landscape even after all other signs of the colliery — offices, wheel-house, railway lines — had been removed or fallen into dereliction.

We first saw it in the distance, its ridge darkly visible above the roofs of houses, like the back of a gigantic whale as it might appear when breaking the surface of a choppy sea. And this bing was somehow different from all others, because we had found it by ourselves; it was ours. It lay within our fiefdom, it was our property, to explore and exploit.

Beyond everything, we longed for a place to play that was not built over. There was no open countryside within range of our ramblings, but we hoped that the mound of mining spoil might provide for us a substitute upland, no matter how poor a facsimile of nature itself, where we could engage in our games and imagine that we had escaped from the urban world that we normally inhabited. We rushed towards it.

The houses ended abruptly, and the bing rose steeply, only a road’s width from neat suburban gardens. We climbed to the ridge, struggling up the incline, our feet sliding on the dark, grey shale of which it was composed, until, breathless and weak, we collapsed at the summit. And there before us was a vista of other ridges, other summits, stretching out into the distance. Our new found land extended beyond our wildest dreams. The bing was gigantic.

At first we wandered cautiously, uncertain of whether this was private property, forbidden to us. But our confidence grew as we gloried in the silence and solitude that the hills of mining waste offered us. As we returned there again and again over the following days and weeks, we came also to realise that the bing had been constructed over many years.

Nearest to the houses, it was youngest. Little grew on those slopes. Occasional ragged clumps of grass and weeds dotted the surface but it remained, for the most part, the naked mud and rock from which the coal had been extracted. As we ventured to more faraway parts, we discovered that, little by little, plants had taken hold. Saplings of Birch and Willow merged into areas of scrub. Young forest trees — Sycamore and Beech, Oak and Ash — began to appear, and in the most distant places, we found woodland that must have been twenty or thirty years in the growing.

Between the ridges were deep valleys which had once held the railway lines, used to transport the spoil from the mine. Water drained into them from the surrounding heaps, and they were marshy, with dark pools and areas of thick, black mud. They had to be crossed with care, for a boy might lose a shoe simply by stepping in the wrong place.

We felt that we had come upon a paradise. Here we could conduct our games, free from adult supervision; and with seemingly endless tracts of land at our disposal in which to hide, or hunt opponents. We had, at least in our imaginings, woods and mountains, deserts and swamps where our battles could be waged.

For our games were always warfare. We divided ourselves into opposing platoons, argued over who should be the Allies, who the Axis forces, and, this having been decided, one troop would flee, to hide or lie in ambush. The other would wait until all sound of the enemy had died away, and would then set off in pursuit. When we played these games close to home, it was within the cramped surroundings allowed by streets and backyards, alleyways and passages. Here, on the bing, the entire scale of things was different.

The hunted had a vast expanse within which to find a hiding place and lie in wait. The hunters might wander for an interminable time without cornering their quarry. And so, on the summer afternoons while we re-enacted World War II, a strange and wonderful education happened.

The first discoveries concerned the plant life that had established itself on the impoverished soil of the bing. We found wild Raspberries, the canes heavy with the soft red berries, and after fierce debate about whether or not they might be poisonous, we recklessly feasted on the tart fruit. Even more exciting was the discovery of small plants low to the ground that bore what appeared to be tiny Strawberries. Already under the spell of the place, we tasted them, and discovered that they were indeed what they appeared to be, though sweeter by far to us than the giant berries in greengrocers’ windows. As autumn approached, we noticed the luscious black fruit ripening on jagged Bramble bushes, and braved their thorns to gorge ourselves.

Even more magical were the rewards that came from silence. Our games required that we move or hide so quietly that our opponents were not alerted to our presence. As we did this, we began also to encounter the creatures that, like the plants, had chosen to live in this man-made habitat.

We heard the birds first. Unknown alarm calls sounded from cover as we traveled, sounds we had not heard on the streets; and we caught fleeting glimpses of species we had only seen in books, or on classroom posters: Blue Tits, Tree Creepers, tiny Wrens and crooning Wood Pigeons. When we were still, they would ignore our presence, affording us clear, enchanting views as they foraged for food.

Once, crossing a small area of knee-high grass, a male Pheasant exploded from almost under our feet, causing first terror, then excitement. On another occasion, we moved through undergrowth down into a marshy valley and were able to watch as a Grey Heron paced in statuesque slow motion amongst the pools, until like lightning it struck, the lethal beak spearing some small amphibian. Even more dramatic was the sight of a Sparrowhawk pursuing and capturing a Blackbird in a clump of trees, and then proceeding to pluck and devour its prey, perched on a branch above our heads, oblivious to our horrified attention.

Soon, we began to search more actively for the wildlife of the bing. Our war-games diminished to a secondary significance, and then faded away entirely. We found where a Tawny Owl made its nest in the trunk of a wind-broken tree. We located, beneath rotting railway sleepers, the life of the marshy ground — Toads, Frogs, Newts — that had attracted the Heron. We came across burrows, and hid until we had gained a glimpse of the Rabbits that had dug them.

But our encounters with mammals were generally less frequent, and usually completely fortuitous. Now and again we would catch sight of a Stoat or a Weasel as it foraged for prey. These lithe and inquisitive killers would sometimes stop in their tracks and observe us, unwelcome intruders into their world. One evening, when we had lingered into the dusk, we encountered a dog Fox as we descended the last slope towards the road. He stopped and regarded us with no apparent concern, while we too stood rooted, unable to believe what we were seeing. Then he dipped his shoulders, and was suddenly gone.

Most astonishing of all was the sight, on an autumn afternoon when grass was turned to pale yellow, and leaves, russet and brown were beginning to spiral slowly to the earth, of a Roe Deer, feeding beneath the canopy of a patch of young chestnut trees. The wind must have been blowing our scent away, for the creature remained unaware of our presence for a long time. Then, in an instant, it was gone, leaving us open-mouthed in wonder.

The more we discovered of the secret life of this wasteland, the more carefully we observed, and the more we sought out information that would explain to us what we were seeing. The town library became a regular haunt, and we learned to name the animals and plants that we saw. But the books described them as being of woods, rivers, fields and moorland; nowhere did we find any reference to bings. That was our treasured secret.

Those days of childhood taught me to be always looking. They taught me that, in the most unlikely locations, even where the land has been spoiled by human carelessness and greed, nature will undertake the task of slowly, surely reasserting itself; and wildlife will seek out places to live if given peace to do so. The bing was a truly liminal area, neither of the town not of the country, yet it offered itself as a place where plants could grow and wild creatures could thrive within a locality that seemed to have been blighted by 200 years of heavy industry.


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Gordon Gibson is a retired lecturer, living in the town of Troon, in the West of Scotland. He has written poetry for a hobby over a long number of years, and since leaving paid employment has devoted time to the writing of prose fiction and nonfiction.

Ah, the Aardvark: Classifying Chaos in an Urban Zoo

April 22, 2013 6 comments

by KJ Hannah Greenberg

Ah, the aardvark, by that badger, cons a capuchin.
Thereafter, he pauses; driving home poor dingo’s wager,
Makes the elephant, egret, ermine, eel, and emu,
Fiddle alongside falcons, gannets, likewise, gnus.

Hornets’ hijinx, hackees’ hallucinations, as well as ibexes’ notions,
Irk impalas, especially when such acts cause irascible commotions.
It’s known, too, that jackdaws, jerboas, jack rabbits, jellies,
Unabashedly watch “kissing” gouramis scoot along on bellies.

Elsewhere, lampreys laugh as loggerheads slink,
Beyond magpies, mudpups, muskrats, mink.
Plus, needlefish, nagas, nutcrackers, all get busy scrutinizing slimy newts,
Which scold shy octopi, fast osprey, maybe otters decked in fastidious suits.

Paccas pearch near puffins, pandas, panthers, pups, pudus,
Quail sing with quaggas and quokka cats, too,
As rabbits, reindeer, sprinkboks (but not shrews),
Push tamarins, tapirs, quite all sorts of tayras; they choose.

Uakaris screech their tessitura. Voles hide in form.
Wallabys whistle to wattlebirds, woodcocks, worms.
Xyloryctes beetles march in parade, unrestrained,
Past yellowhammers, yapoks, ynambus so tame.

Zebu, sweat slick, run from zorilles, given that visitors’ little
Litter, rather than human potions, lotions, pills, or vittles,
Impart sufficient cordons against hidden social skunks,
In particular, after brazen city kids get present alphabet funk.


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KJ Hannah Greenberg (website) snorts and snuffs in poetry and prose. Her most recent books include: A Bank Robber’s Bad Luck with His Ex-Girlfriend (Unbound CONTENT, 2011, a full-length poetry collection); Fluid & Crystallized, (Fowlpox Press, 2012, a poetry chapbook); Supernal Factors (The Camel Saloon Books on Blog, 2012, a poetry chapbook); and Don’t Pet the Sweaty Things (Bards & Sages Publishing, 2012, a short fiction collection).

Call for Submissions: Animals in the City

September 1, 2012 11 comments

Submissions are open for the next issue of qarrtsiluni, edited by Sherry Chandler and David Cazden (see bios below). They’re asking for submissions on the theme of animals in the city:

Squirrels, pigeons, cockroaches, bats, rats, hawks: these are a few of the animals that have adapted themselves to urban and suburban life. Skunks and raccoons have been seen walking city streets. Even bears raid city garbage cans in hard times. Song birds have adapted to the noise of the city by singing louder than their country kin. They make themselves heard over the semis and the sirens.

We are looking for poems, essays, stories, images, and multimedia works that deal with the city’s wildlife, both in harmony and in conflict with their human neighbors. But please don’t send us works explicitly about evil human predators. If humans inhabit your pieces, let it be in relationship to our cousins in the kingdom Animalia.

As always, please use our submissions form (via Submittable) and be sure to study the general guidelines there. Submissions close September 30, and the issue will begin to appear on the site after the Fragments issue is concluded in late October or early November.

The editors

David Cazden (website) has recent poetry in Fugue (2nd Place, Ron McFarland Poetry Award), Nimrod (Semi-finalist, Pablo Neruda award,) Passages North, Kestrel, William And Mary Review and Talking River Review. He is the former poetry editor of Miller’s Pond magazine, print edition. His second full length collection, The Lost Animals, is forthcoming from Sundress Publications. David received an Al Smith Fellowship for poetry from the Kentucky Arts Council in 2008.

Sherry Chandler (website) lives and writes poetry on 60 unkempt acres on the edge of the well-groomed Bluegrass plateau of Kentucky, the territory of horse farms and antebellum mansions. As @BluegrassPoet, she posts micropoetry based on close observation of the wildlife that share this space with her. She is the author of Weaving a New Eden, a history of her native state told in a tapestry of women’s voices, and is currently circulating her second collection, a book of nature lyrics and love poems called The Hearth and the Woodcarver. Her work has twice been nominated for a Pushcart Prize (once by qarrtsiluni), and she has had awards from the Kentucky Arts Council and the Kentucky Foundation for Women. She lives with her husband, T. R. Williams, a woodcarver. She has twin sons.

Categories: Animals in the City