Revelation of the common man

30 12 2008

I
Go tell John to stop writing backwards. Stop calling forth unrooted trees. Make broth from worn shoes and empty hands. Stow away family albums and vermouth. Place neon bar signs over your doors. Winnow the undesired shoals into darker waters. Resuscitate the pipe organ. Pound cutlets from abandoned expatriates.

II
They won’t ply you with ice cream trucks. They cannot play chess. They will not mime a man trapped in soggy tissue paper. They won’t abscond with the escape ladders. They won’t fritter the last hours away on carousels. They will seal every exit but cover their footsteps. They will hesitate before slicing the skies and filling you with sawdust and straw. They will want what you can never say to them unless you are speaking in tongues.

III
Liquor drizzles the porn collection. Hula hoops enter oncoming traffic. Viaducts volley their occupants. Articulating arms reach out for pulsating bodies, leech heat. Tarot cards shuffle, tell the same story. Fur stoles crawl into knotted piles. Stamp collections peal away from their albums, mail themselves to the past.

IV
In disastrous end-times, you will suffer: unending lines at the grocery store check-out; muscles, unmassaged and unused; queasy silences at the dinner table; the coarse laughter of your daughter’s daughter; a crushing lack of caffeinated beverages; mosquitoes (their bite and buzz); the stench and mortification of eternally unbrushed teeth.

by E.A.P. and Dana Guthrie Martin

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Interior Arrangements

20 12 2008

windows will shatter before impact
force of forward thrust
fabric will scratch and tear

all escapeways will remain sealed
all lavatories will empty
water into the darkness

by E.A.P. and Dana Guthrie Martin

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The Juke Box Needle Hovers Over ‘Could We Start Again Please’ from the “Jesus Christ Superstar” Soundtrack

10 12 2008

Each lyric douses Jesus in light waves and sound particles.
The 45’s concentric grooves capture and release
the bar’s stale fluorescent glow, as much a miracle as any.

The many feet, the sagging arms, define the space.
Jesus parts the throng, laying hands on strangers’ thighs.
We become germs and weariness begging for soap, heat and water.

The music starts again, this time without a source.
Jesus looks up, his eyes crackled marbles ushering light
into the bowls of his retinas, small imploding suns.

Elsewhere rags soak in kerosene, entire blocks catch fire,
old padlocks corrode and release all the inmates.
Jesus hears every cry as glossalalia. He stutters into song.

Pretty words won’t live past his teeth. Hard ones marry music.
Jesus taps out rhythm in sudden necessity, raises his arms like driftwood.
We learn food can be sung to, coaxed out of sand and cloud.

Now Jesus moves his body as if conducting a jazz orchestra.
He sways in front of the destruction asking questions of flame.
Bricks blacken, crack. Tar runs in from streets, seals flesh to flesh.

Our skin reddens like the eyes of a tired bartender. Hurt accumulates:
change in a tip jar. Jesus takes cover behind the bar, hunkers
next to thumbed copies of Maxim, Bartending Today and Screw.

Who doesn’t blink in a snow of cinder and ash?
How can the end come down to this: a sound like a trill,
like olive jars trembling on a glass shelf?

by Dana Guthrie Martin and Nathan Moore

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Letter From a Parasitic Head

11 08 2008

Upon autopsy, the neck stump of the parasitic head was shown to contain fragments of bone and tiny vestiges of a heart and lungs.
www.phreeque.com

I could feel your blood circulating inside me,
knew I was killing you, siphoning off
what you needed for myself,
but how could I have been expected
to do otherwise.

On examination, our skulls are one,
locked together like puzzle pieces,
our craniums stacked and sealed
like bricks laid and mortared
by a bricklayer who’d been drinking.

What has a body, even body fragments,
wants to live, has no choice.
The two-headed snake — its brains
struggling to find food — writhes,
gets nowhere until it dies hungry.

I knew something was going wrong
when your body became pale
as rice paper, your blue veins dried up.
And I could not turn my head
to look you in the eyes.

Video by Donna Kuhn
Poem by Dana Guthrie Martin

If you can’t see the movie, you need to download Flash. Alternatively, you can download the movie (15.2MB) and watch it on the player of your choice.

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Translations

6 04 2008

I. Fear

bleating….broken….bare boned
skin held together with epoxy…..with ligatures
what wants to pull apart when the body is no longer of service
what falls into disuse as soon as blood stops circulating

(the mass spread before we could catch it
we’re sorry
maybe you need some time alone
here’s someone you can call
they should be able to assist you)

II. Isolation

lament for the ICU
lament for the gathering sky
lament for masturbation
lament for holidays
lament for morphine
lament for making no sense
lament for aphasia

III. Choking Hazards

swollen tongue….cotton rags
too many syllables in the throat
breath held in the chest….fluid into lungs
medical implements used for the going-over

IV. The Body

what has gone unnoticed for years
what has given us no reason to complain
where is the ripcord….the safety manual
why can’t the dismissal be temporary
the weight of weight
final acts….an untidy separation

V. Removal

before going under
we all laugh the drunken laugh
of the soon to be sliced open

by Dana Guthrie Martin

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And the Crickets Outside the Window

6 12 2007

mussed sheets
that smell
his sudden wanting

another season delirious
and egg-heavy

she says
I thought of you
but was tired

the unending scrape
of male wings

it’s easier to come
between
my own fingers

her unapologetic body
her articulating legs

he folds her to one side
dreams his way
into her

here we wait
this we call song

by Dana Guthrie Martin

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